Romeo and Juliet
Hello and welcome. Just imagine me speaking in a Polish accent at this point because yes, it is your ruler of all fairly frequently occurring Poles, Soffski Stamskov.
Romeo
and Juliet:
The film begins, of course, with a fairly strange poem. Let’s suppose we haven’t analysed to the point of analytical self destruction, and assume this poem’s a load of old Willy Shake’s (now don’t jump the gun you rabid sheep humping porn lovers – that’s William Shakespeare informally) hut hmm, old Willy Shake’s archaic tosh.
It’s standard.
So there’s these two badass families that are utterly minted – yep, they’re rolling in it. The idea is they hate each others asses, and the storyline is: they beat the shit out of each other whenever and wherever possible, so a few centuries later intellectuals like you and I can shove this all in new edition books and call it highbrow literature.
There’s the first bunch: sulking wimp Romeo, who’s completely
besotted with this other girl (assuming he’s not met Juliet yet) so that just
makes him a whining slut boy. Then there’s his dude friend Mercutio, some
Jerry Springer character called Benvolio, a bunch of servants and the old hairy
parent generation that no one really gives a monkey’s about. The other nasty
lot are the Capulets, of which no one distinct comes to mind except that Tybalt
character who just pisses the audience off. And Juliet. She’s the Elizabethan
answer to
I’ve already summarised the storyline as a bunch of bratty twenty-somethings
running around ripping each other new ass-holes, but alas, my analytical
comrades, there’s more! Baz Lerman’s version features a cross dressing
Mercutio, a must see for all… well, cross dressers. Pick up some tips, eh?
Then you’ve got some great skirmishes going on – with the entire
Veronan populace joining in with brawling (so that’s about 7 of them) – and
you thought Lord of the Rings demonstrates breathtaking computer generated
militaristic imagery!
Then some people snuff it, which is always quite fun too. Mercutio
obviously possesses no further significance to the story line after his rather
exuberant feminine flamenco fiasco, and conks it. Romeo’s obviously pissed of
by this cause he butchers Tybalt. There’s complex relationship issues with
Romeo and the
So Willy messes the audience about here, people die and und-die then they
find out the other one’s dead, so they die anyway, and that’s pretty much
the most tragic, heart wrenching, beautiful tale ever written.
I now hope you’ll go and see it again and remark on stuff you haven’t
already analysed to utter despair, causing yourself to spontaneously transform
into a giant blob of the resultant substance in the process of egestion. Just
remember the mules, my friends, and you’ll be alright.
Goodnight
from
Soffski
Stamskov
P.S.
Don’t despair. Macbeth rocks.